Yesterday was the first Dragon*Con all-staff meeting. I should've emailed my staff before now to confirm who's coming back; I have no idea what my numbers are currently. If any of y'all who I haven't already heard from about working Daily Dragon staff this year are reading this, please email me to lemme know your status. If you've already contacted me this year (amazing, wonderful people who obviously have their acts far more together than me), we're cool.
Watched Howl's Moving Castle (Hauru no ugoku shiro) last night. It was absolutely delightful. I was charmed by the incidental and secondary characters--the scarecrow, Hin, Calcifer--as well as the world and whimsical setting. And I found the love story between Sofi and Howl very satisfying. I also liked how the metaphors, what there were of them, were understated. Howl's magical meltdown as allegory for teenage angst and insecurity was nothing short of brilliant. Very well done.
But it wasn't Wallace and Gromit in the Curse of the Were-Rabbit.
From discussions via my DC2K writers group: Are your characters suffering from an excess of author-identification? Are they thinly-veiled wish-fulfillment? In short, are they a Mary Sue (or a Gary Stus)? For fun, and maybe a bit of writerly insight, take The Writer's Mary Sue Test and see how they score.
- Payment from Dragonfly Spirit for "Kaawwa, Naagan, and the Queen's Diamond Necklace."
- Contract from Faeries for "Returning My Sister's Face."
New Words: 400 words on a new Japanese fantasy because my muse is an unrelenting shrew who likes to torment me with ideas when I already have too much on my plate to deal with. And I, of course, cannot deny her. Gah!
Club 100 For Writers
Erm. I lost count. But it feels like I've been working like a maniac. I'm calling it "10."