The senior analyst I was supposed to meet with was out sick, so I may need to go back in to interview with her, but it could be a phone interview (ugh) instead. I'd much rather go in again. I like face-to-face so much better than voice-to-voice.
Overall, I found it to be a solid, stable company, very pleasant environment, with an excellent future. It's a good size, not so small that it could fold at the whimsy of the markets, but not so big (unlike my previous company) that it's mired in red tape and flaming hoops. And they're quite close. The travel time is about the same as the one I had previously, dependent, of course, on traffic.
The recruiter person said I'd probably hear back one way or another in a couple weeks.
It'd be nice to have the security of being a cubicle-monkey again.
Received my contrib. copy of Here & Now #5/6 with "When the Lights Go Out" in it. It's a monster double-issue, full sized with a glossy cover. And mine is the very last story. It's been a long time coming. And I've still got accepted stories awaiting publication in issues #7 and #8. Haven't been paid yet, though.
Also got an email from my agent. HarperCollins passed on my novel, but the editor had some incredibly nice things to say:
"I surprised myself by liking very much Eugie Foster's Shao Huan: The Soul of a Badger. She writes well, which of course drew me in, but more than that, the development of the relationship between Yeye and Shao Huan was handled with real skill and never became unbelievable . . . Alas, this isn't quite what I'm looking for here at HarperCollins. It's excellent, but a tad too quiet for my tastes . . . But I did like this very much, and I am grateful you let me have a look at it."
As rejections go, it's an extremely encouraging one. My agent is sending my manuscript off to Viking next. Onward.